Today’s workshop began with an examination
of how sound can be organised into a process of experimenting, imitating,
improvising, arranging, composing and notating. We then listened to a piece of
music, and without being provided with the title, had to close our eyes and
listen carefully to it. Whilst doing so, we were encouraged to jot down
thoughts that emerged, the story that came to mind as we listened, how it made
us feel, etc.
The
piece we listened to used a wide variety of percussion instruments. As I closed
my eyes, I pictured a person peacefully making their way through the natural
setting of a rainforest. The layers of sound and building tension reflected the variety of unfamiliar animals within the forest that increased a sense of
anxiety within the person. At the magnificent climax, I pictured the person
emerging into a beautiful opening, one like the picture below. After listening
to the piece, we were encouraged to share what we had imagined with the person
next to us. My friend and I were surprised to find out that we had a similar
story come to mind! We came to the conclusion that the used of ‘natural’
sounding instruments, such as the woody sound the xylophone produces, inspired
us to imagine in this way. We later found out that this piece was in fact
titled ‘Rainforest’, played and produced by the group B’Tutta.
The next component of the workshop involved ‘sound scaping’ which involved notating music through the non-traditional method of diagrams, symbols and/or pictures. Below is an example that our tutor showed that reflected what this representation could look like.
My group did a sound scape of a
thunderstorm in six parts. Beginning with the light sound of raindrops, the
pit-a-pat-a sound grew louder, building up to produce a sound that depicted heavier rain. As clouds began to
roll in, there was thunder and a crash of lightning. After a while, the sound of heavy rain returned. The rain
eased, and the piece concluded with a sound of ‘peace’ after a storm. We used a
range of percussion instruments, some including cymbals, a bass drum, and a glockenspiel. Doing this activity reminded me of a thunderstorm body percussion performance that I stumbled across on youtube whilst doing research for
my music lesson on professional experience. It is such a magnificent
representation of a thunderstorm, and as I listen to it with my eyes closed, I
am completely convinced that there is a thunderstorm happening outside!
To conclude the lesson, we learnt about
raps. In my opinion, composing (and in some cases, performing) a rap can be
such an effective tool of learning – it’s ‘cool’ and so students
enthusiastically engage in the process of creating one. It encourages students
to think imaginatively, consolidate their learning as they represent their
knowledge in a new and different way and also develops their poetry skills.
Whilst on professional experience, I utilised ‘rap writing’ in my lessons on a
number of occasions. For instance, students wrote (and performed) a rap about
Order of Operations: BODMAS (Maths), Flight (Science), and how they felt from a
characters perspective after reading a chapter from C.S Lewis’ book ‘The Lion,
The Witch and The Wardrobe’. And
what amazing raps they produced, I was constantly blown away!
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