Week 2 already – wow, time seems to pass by
very quickly. It brings a tear to my eye to know that we are in fact half way
through the drama ‘art-strand’ of this unit; it is a shame that we are not able
to study this for the entire semester. I am learning SO much..!!
In the first half of our drama tutorials we
continued to look at ‘The Green Children’ through participating in a range of
drama activities. Homework from last week involved creating a character of a
person from the village of where the ‘green children’ were located. In our
tutorials, we were to ‘put on’ the role of our character. We were instructed to
move around the drama studio as that character would, then FREEZE! Creating a
still image, we were invited to speak our thoughts or feelings about the green
children to a ‘villager’ next to us. After a short moment of conversing, we
were asked to continue moving around the studio, then, FREEZE again! Next, we
were told to have a ‘gossip’ session about the green children discovery. This
drama strategy is classified as ‘thought-tracking’. I believe that it is a
useful activity for the classroom as it is non-threatening; we were only
required to talk and act in front of one person. Moreover, it slows the action
down, enabling student’s to reflect on events, take on the mindset of another
persona and establish what the character would be thinking or feeling at a
specific moment in time. In essence, thought-tracking is useful preparation for
improvisation.
After this activity, we were told to keep
on the role of our characters, and come along to a ‘town meeting’. Four village
members facilitated the discussion; a mayor, farmer, doctor and witch. Members
of the public stated their opinions or asked questions in response to the
arrival of the green children. It was a great, fun activity, and the points
raised were very interesting. In response to the town meeting, we were
instructed to write down our thoughts and feelings from the perspective of our
character. As Robyn has reiterated in our lectures, a written representation
facilitates a deepened understanding. Below is an extract of what my character,
a child named “Poppy”:
“My Pa found the two ‘green children’ while he was out
for a walk with a friend. That was a few weeks ago. Sadly the boy died, but the
girl now lives with my family. It was very strange at first; the girl acted odd
and couldn't speak properly. She was shy and I would often feel uncomfortable
around her. But we have gotten to know one another; we now really get along as
if we are sisters. We play and chat, and have fun with the other village
children too. I’ve always wanted a sister, so I am very happy that Pa found
her. But I feel very sorry for too, the way the town people talk about her
makes me sad. They don't understand what she has gone through; they probably
haven’t even gotten to know her yet. And I don't want her to be kicked out of
the village, it’s not fair because she hasn't done anything wrong...”
In our lectures this week, as well as the
second half of our tutorials, we examined ‘Reader’s Theatre’. According to the
NSW Creative Arts Syllabus, Reader’s Theatre
is defined as ‘rehearsed reading for an audience’ and encompasses ‘drama
conventions [including] reading aloud, vocal expression, silent pauses and a
direct actor-audience relationship’ (NSW BOS, 2000). The main point that I took
away from the lecture was the importance of the ‘voice’; we should emphasise
the various qualities our voice when story telling, such as playing with the
pace, pitch, tone, volume, accents, pauses, etc.
As an activity in our tutorial, we were
asked to form groups of three or four and choose a text to practice our
‘readers theatre’ with. My group decided to choose ‘The Hairy Toe’, a traditional
American tale. What a fun and grizzly text this was! We broke the poem into
three sections, which were divided already by the repetitive phrase “Who’s got
my hairy toe?’. We planned to read this repetitive phrase in unison. Next, we
highlighted all the onomatopoeias in the text, and decided that the other two
people who weren’t ‘narrating’ that section of the story would read these
words. Below is text annotated:
Week 2 has now come to an end, and let’s
just say, this subject is definitely inspiring me to embrace the art forms more
and really explore creativity!
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